New movie directors arrive on the scene

Taking this from Wikipedia, the free encyclopedia, a director is a person who directs the making of a film.[1] A film director visualizes the script, controls the artistic and dramatic aspects of a film, while guiding the crew and actors in fulfilling their vision. However, film directors do not have absolute artistic control in all countries. The director can also be selected by the producer. In this case, the producer may have veto power over everything from the script itself to the final cut of the film, often anywhere from mild to extreme opposition to the director’s vision.

Some of today’s best-known directors include Martin Scorsese, Joel and Ethan Coen, Quentin Tarantino, Robert Rodriguez, Steven Spielberg, Craig Brewer, John Singleton, Spike Lee, and Francis Ford Coppola. All of his films have had a huge impact on popular culture. They are cinematic icons that many aspiring film directors respect and admire for their work. This article is not going to focus on these famous directors. His work, success and awards speak for themselves. Instead, I want to introduce some fresh new film directors who are hitting the scene with cheeky movies that are seriously entertaining.

Director Michael D. Olmos gave viewers a joy ride in his crime thriller drama “Splinter,” starring Tom Sizemore, Edward James Olmos and Noel Gugliemi. IMDB.COM’s plot summary reads like this: On the streets of Los Angeles, two gangsters — Dreamer (Almeida) and Dusty (Noel G.) — team up over the mysterious murder of their brother. Dreamer, with the bullet that killed his brother still lodged in his skull, desperately seeks revenge when he crosses paths with Detective Gramm (Atis), a rookie cop confidante associated with corrupt veteran Cunningham (Sizemore). Amid an ever-increasing death toll and the threat of all-out gang war, the four characters lock themselves in for a brutal ending as they discover who among them is creating the brutal mayhem. What made this film stand out was the way Michael D. Olmos was able to use dynamic camera angles to really capture the moment. The flashbacks had this gritty look that gave them more impact. He almost had that “Saw” type of feeling that was sinister. I was impressed by this movie. Michael D. Olmos has a style that is only going to get better with every movie he puts out.

Director Sid Kali delivers a gritty and powerful urban drama titled “Consignment,” which is also his directorial debut. I rented this movie from Blockbuster and loved it. Based on the true events, Consignment is about Tommy Jones, a reluctant East Coast drug lord who goes on the run with his wife, Yolanda, after a rival kingpin’s plan to swindle and murder him goes awry. Needing some quick cash to get things right, the couple heads to Southern California, where Tommy hooks up with his cousin, a reckless and hot-tempered drug dealer. Tommy quickly gets in his head and is forced to take a large shipment of meth from a ruthless Latino gangster. Betrayals, a series of brutal murders and an old secret from his wife’s past thwart Tommy’s plans for a fresh start in life. Sid Kali delivers a fast-paced, authentic urban action movie that breaks out into 14 on-screen murders. While “Consignment” has plenty of action, drug dealing, and nudity, it has a deeper background that runs through the film. That is highlighted by the way the camera always seems to be in the right place at the right time to capture the human emotion on an actor’s face when faced with difficult situations, such as drug use, murder, and rape. . He expanded the urban genre beyond what he expected on “Consignment.” I really feel that Sid Kali is a director to be reckoned with. His second movie, “In With Thieves,” is supposed to be released in early February.

Director HM Coakley gives horror movie fans a whole new look with “Holla.” It is the first black horror film independently produced and directed by African Americans to be acquired and distributed by a major distributor such as Lionsgate. That shows that he is a director on the move. “Holla” tells the story of a TV star who gets stranded with seven of her friends in a cabin on the grounds of Camp Diamond Creek. Also stuck with the group is a murderous sociopath. This movie has all the classic touches and suspense of previous horror movies, but with a distinctly urban slant. The camera work was impressive. It followed the action and led you straight into the horror. HM Coakley knows how to tell a scary story using moving images.